Imagine a Marvel movie with a jaw-dropping $206 million box office flop, yet it boasts one of the most exhilarating action sequences in the entire MCU. Yes, you read that right. The Marvels (https://comicbook.com/tag/the-marvels/) may have been the MCU's first major financial disappointment, raking in just $200 million globally against a staggering $300 million budget. This is particularly puzzling when you consider that Captain Marvel soared past $1.1 billion on a $175 million budget, just four years prior. So, what went wrong? Some blame superhero fatigue, others point to lackluster marketing, and many argue that the MCU's oversaturation—thanks to Disney+ shows like WandaVision and Ms. Marvel—played a significant role. But here's where it gets controversial: Was it really any of these factors, or was it something else entirely? And why did Disney CEO Bob Iger seemingly single out director Nia DaCosta for criticism while sparing the male directors of Ant-Man and the Wasp: Quantumania and Indiana Jones and the Dial of Destiny?
DaCosta, who recently wowed audiences with the critically acclaimed 28 Years Later: The Bone Temple (https://comicbook.com/movies/news/28-years-later-the-bone-temple-early-rotten-tomatoes-score-is-a-franchise-record/), didn’t get to fully realize her original vision for The Marvels (https://comicbook.com/movies/news/the-marvels-mcu-movie-bomb-director-not-movie-i-pitched-nia-dacosta/). Yet, the film remains a fun, energetic, and breezy addition to the MCU. And this is the part most people miss: Even if you haven’t watched the Disney+ series, the movie stands on its own thanks to its unique and thrilling central concept—characters swapping locations whenever they use their powers. This idea is introduced early and executed brilliantly, making it accessible to both die-hard fans and casual viewers alike.
What makes the first fight scene of The Marvels so unforgettable? It’s a masterclass in chaos and coordination. The sequence kicks off with the Kree’s new leader, Dar-Benn (Zawe Ashton), discovering one of the Quantum Bands needed to control the Universal Neural Teleportation Network. This sets off a chain reaction, pulling Carol Danvers, Monica Rambeau, and Kamala Khan into a whirlwind of location swaps and high-stakes combat. Just 15 minutes into the film, we’re treated to a heart-pounding action sequence that showcases the dangers of suddenly finding yourself in an unfamiliar place, surrounded by enemies.
The scene is a whirlwind of movement, seamlessly transitioning between Khan’s house, the S.A.B.E.R. space station, and a Kree ship. It’s fast-paced but meticulously choreographed, ensuring every punch, kick, and location swap lands with impact. The backdrop? The electrifying track “Ratata” by Skrillex, Missy Elliott, and Mr. Oizo, which perfectly complements the on-screen mayhem.
Amidst the acrobatics, the scene accomplishes so much more. We witness Danvers’s uneasy relationship with her nickname, “the Annihilator,” a foreshadowing moment that adds depth to her character. Meanwhile, Kamala Khan’s interaction with Nick Fury feels like her unofficial initiation into the Avengers, complete with life-or-death stakes. And let’s not forget the smaller, delightful moments—like Monica Rambeau punching a Kree soldier and casually falling onto a recliner, or Goose the Flerken swallowing an ottoman whole to save the day.
The sequence feels like a dance, but with an added layer of panic due to the constant location swaps. It’s a testament to the characters’ combat prowess while highlighting their vulnerability. Bold claim: This action sequence alone outshines all the action in Captain Marvel, WandaVision, and Ms. Marvel combined.
So, here’s the question: Is The Marvels one of the MCU’s most underrated films? Or did it deserve its box office fate? Let’s spark a debate—share your thoughts in the comments below!
